My final day in Berlin, my sixth show at the Deutsches Theater: finally Shakespeare. And relatively rarely performed Shakespeare, too: Coriolanus, in a new translation by Andres Marber that to my mind got more right than wrong – it certainly didn’t interfere with my enjoyment as much as the late Thomas Brasch’s famed version of [...]
Sixteen shows in, Berlin theatre still manages to surprise me with new stylistic choices, visual arsenals, and performance aesthetics. Stefan Pucher’s Hedda Gabler at the Deutsches Theater was the first production that used the revolve to switch between sets – every other time I’ve seen that feature used, it was obviously the stage floor itself [...]
Today, I saw my first blackface performance.
Let me rephrase that. I’m sure I saw quite a few things of this kind when I was a kid. I know for a fact that I painted my face brown, red, and yellow for carnival. But as an adult, in a serious play, this was a first [...]
Well, fuck.
This was a production I had looked forward to. The photos promised fun, if nothing else. It was supposed to be an unsentimental take on the play, putting desire above love. And Lars Eidinger is an exceptionally talented actor who has done great work in Shakespearean roles — his Hamlet in particular has [...]
Recent Posts
- Berlin, Day 17: Coriolanus (Shakespeare / Sanchez), Deutsches Theater Kammerspiele
- Berlin, Day 16: Hedda Gabler (Ibsen / Pucher), Deutsches Theater
- Brecht, Baumgarten, Blackface
- Berlin, Day 14: Romeo and Juliet (Shakespeare / Eidinger), Schaubuehne
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.

