This is the first post in what will doubtless be a dismayingly long series of occasional rants.
Via Grace Ioppolo on Twitter, here’s Simon Schama in The Observer:
“Shakespeare is in the unique position of speaking universally while not losing any of the intensity of the language of where he comes from,” said [...]
Last week, I saw two performances in London. One was the kind of show I tend to love and generally want to see much more of at home in Toronto: a contemporary staging of an old play (Richard Brinsley Sheridan’s The School for Scandal); the other was the kind of show I tend to [...]
Responding to Joshua Green’s challenge (thanks, Sarah Werner!), here are my humble contributions to this new emerging meme:
Breaking news.
He so excited, he so excited!
David Brooks [...]
Pictograms are fascinating images. Their purpose is to communicate as much as possible with the greatest economy of expression; they are designed to achieve both maximum comprehension and inclusivity.
Some pictograms are gender-specific – we all know this one:
The Replacements might lament the abidingly binary sartorial signifiers - either outdated or always-already
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Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.

