Sick in bed and taking a break from blogging about marginalia, idly browsing academic websites and blogs (as one does, sick in bed and in need of entertainment), I have found myself returning to a question I mulled over with a couple of colleagues a few years ago, and which we couldn’t answer then any [...]
Some readers, as I had mentioned in the previous post in this series, approached plays in thoroughly un-theatrical ways. In a sense, many of the marks and annotations I described in Part I also speak to a non-dramatic reception: underlinings, marginal crosses, asterisks, and other pointers, and even lines copied out in the [...]
As promised in Part I of this series, here are a few examples of printed plays that have been annotated in a way that suggests the reader had performance of one kind or another in mind. (As before, all images courtesy of the Folger Shakespeare Library, Washington, DC.)
First off, a curio. In this [...]
Here’s the first in a series of posts on a long-term research project I’m working on. The project as a whole asks what a printed play was in early modern England — why anyone would have thought turning performance scripts into books was a good idea in the first place, how those books evolved over [...]
Recent Posts
- Berlin, Day 17: Coriolanus (Shakespeare / Sanchez), Deutsches Theater Kammerspiele
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- Berlin, Day 14: Romeo and Juliet (Shakespeare / Eidinger), Schaubuehne
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Copyright

Holger Syme's work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.Images may be reused as long as their source is properly attributed in accordance with the Creative Commons License detailed above. Many of the photos here were taken at the Folger Shakespeare Library; please consult their policy on digital images as well.

